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Pauline Boudry : ウィキペディア英語版
Pauline Boudry / Renate Lorenz
Pauline Boudry / Renate Lorenz are an artist duo based in Berlin who have worked together since 2004. They produce film installations that revisit historical moments, often unrepresented or illegible queer histories, and with a particular interest in a critical history of the photographic and moving image itself.〔(【引用サイトリンク】title=Pauline Boudry / Renate Lorenz - Statement, Biography )
Their most recent work ''To Valerie Solanas and Marilyn Monroe, In Recognition of their Desperation'' (2013) is based on the eponymous 1970 score by avant-garde feminist composer Pauline Oliveros, filmed in Funkhaus Nalepastraße, the former GDR Radio studios in Berlin, and featuring performances from the musicians Rachel Aggs, Peaches, Catriona Shaw, Verity Susman, Ginger Brooks Takahashi, William Wheeler. The work had its premiere exhibition as part of their solo show ''Patriarchal Poetry'' at Badischer Kunstverein, Karlsruhe in Autumn 2013〔(【引用サイトリンク】title=Badischer-Kunstverein Programm Vorschau )〕 and was shown at Museum of Modern Art, New York, in a special event with the artists, Oliveros and Gregg Bordowitz〔(【引用サイトリンク】title=MoMA | An Evening with Pauline Boudry/Renate Lorenz with Gregg Bordowitz and Pauline Oliveros )〕 in May 2014.
Previous works include ''Toxic'' (2012), with performances by Werner Hirsch and Ginger Brooks Takahashi, commissioned for ''Intense Proximity'', La Triennale, 2012;〔(【引用サイトリンク】title=Toxic | Les Laboratoires d’Aubervilliers )〕 ''No Future, No Past'', commissioned by Andrea Thal for the Swiss off-site project, ''Chewing The Scenery'', Venice Biennale, 2011;〔(【引用サイトリンク】title=Chewing the Scenery - Scenery Overview )〕 ''Charming for the Revolution'', 2009; ''Normal Work'', 2007.
Recent retrospectives and solo exhibitions have included ''Aftershow'', CAPC, Bordeaux, 2013; ''Toxic Play in Two Acts'', South London Gallery, 2012; ''Contagieux! Rapports contre la normalité'', Centre d´Art Contemporain, Geneve, 2011.
They are represented by Ellen de Bruijn, Amsterdam and Marcelle Alix, Paris.
Their work has been written about by writers and critics including Gregg Bordowitz,〔 Antke Engel〔(【引用サイトリンク】title=Queer Temporalities and the Chronopolitics of Transtemporal Drag | e-flux )〕 and Mathias Danbolt.〔(【引用サイトリンク】title=Mathias Danbolt » Publications )〕 Their most recent catalogue, ''Temporal Drag'', was published by Hatje Cantz in 2011.〔(【引用サイトリンク】title=Pauline Boudry / Renate Lorenz | Contemporary Art | Hatje Cantz )
==References==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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